Wanderlust Hotel, a show by Pam Glew at Woolff gallery

Pam Glew is a well-established, contemporary British artist, best known for her unique bleaching technique on fabric, vintage flags, and handmade vintage quilts.  We’ve written about her previously and are excited to again with her fourth London Show since 2011, Wanderlust Hotel.

Wanderlust hotel?

Hotel Wanderlust by Pam Glew | Art-PieInspired by the goings on in legendary hotels such as Chelsea Hotel and Hotel Marmont,’Wanderlust Hotel’ is a fictional guest house frequented by illicit overnight guests and dark secrets. Self-staged photo shoots make up the majority of the subjects.

Populated by the weekend girlfriend, the bride, the maid, the mixologist, the sleeping porter, the receptionist and the VIP guest all swapping roles and sweeping in and out of the pictures frames.

Formerly trained in Theatre Design, in this series the artist explores an imaginary world; a fictional hotel, an invented environment and a narrative where the players in the hotel encounter each other within the hotel. The archetypes are empathetically reflected on in the Bellboy sleeping, and the melancholic maid, sometimes humourous (the Call Girl on a visit to Vegas encounters the ‘Glitter Gulch’ signage), and turned on their head (the bride has a revolver, who is also the same model as the call girl).

'Love Hotel' by Pam Glew | Art-Pie

 

Acting is a common theme, and the ‘play’ idea is explored in the miniature hotel model. Here the hotel is bereft of people as if the residents are now only present in the paintings. The models in the work occupy more than one role, as a metaphor for how fate and luck play a part in our lives. In ‘Sisters’ the artist explores a meeting of 2 estranged identical twins. One of which is the maid, one the VIP. An imagined rift is between them as if they have not spoken in years. The heavy quilt is embellished with swarovski crystals which appears to elevate the characters appearance, the maid’s headpiece appearing more like a crown.

Let’s get technical

The medium Glew uses is dye and bleach. The use of fabric, and dyeing, washing and sewing is used as a metaphor for ‘women’s work’. Glew celebrates women in the history of art who have been overlooked due to an element of ‘craft’ in their work. Sourcing antique and vintage american quilts and national flags, the fabric of the work is as important as the image itself. Using quilts to insinuate sleep and slumber, the textiles are rich in both history and texture. Decontructing large American flags to just the stars they become less about the location and more visceral.

For further details contact +44 (0) 20 7631 0551 / info@woolffgallery.co.uk

 

The creative bubble – April edition almost on!

The Creative Bubble | Art-PieAnother month, another edition of The Creative Bubble and a myriad of emerging artists showcasing their work – visual artists, spoken word and Poetry, Music & the latest addition and now regular appearance of the guys from Let The Film Do The Talking who invite you to immerse yourself in short films and augmented reality.

As always, we are providing a selection of artists we feel should get some exposure just because we appreciate their work and hope you will to.

We are delighted to have James Kinsella involved in this pop up show. James currently resides in Austria, yes The Creative Bubble is international (!), who will be showing three of his screen print on acrylic paint latest work. We included below ‘Herschelgasse’ for you to see what you can expect to see on display if you come down.

James Kinsella | Art-Pie

‘Less is more’ is what we felt when we first saw James’ work. We like the “sketchy’ feel of this piece and above all the contrast between black outlines and bright and bold colours.

We cannot wait to hang it up on the walls of the Roxy Bar and Screen.

WHAT – The Creative Bubble, POP UP Art Gallery, Spoken Word, Poetry, Short Films, Music & Networking
WHERE – Roxy Bar and Screen, 128-132 Borough High Street, London SE1 1LB
WHEN – Wed 29/4/2015 (POP UP art gallery opening night) / Thursd 30 (Spoken word)

VNA launch party – 14th issue

Another cracking launch party over at East gallery has just happened, this time for the launch of the 14th issue of the VNA magazine.

This issue is featuring artist Sickboy on the cover and is full of extras to enjoy- of 2 Sickboy x Edding marker pens, a Sickboy Kiss-cut vinyl sheet and the screen printed cover, signed by Sickboy. VNA has put together an awesome video specially for the event while Mitch at Chasing Ghost London has very kindly agreed to post the pictures he took that night – very much appreciated. Make sure to check Mitch’s awesomeness at www.chasinghosts.com

VNA Limited Edition (1)

VNA issue 14 (3)

VNA issue 14 (17)

VNA issue 14 (8)

VNA issue 14 (7)

Photos by Chasing Shots

Related links
VNA magazine – verynearlyalmost.com
The Sick Boy website – www.thesickboy.com

Sepe’s new show at Lawrence Alkin gallery: grotesquely good

When we got the email about this show –The Golden Age of Grotesque by SEPE (aka Michał Sepe Wręga), we immediately got very excited as we knew for sure that it would be a good one.

We have been following SEPE at Art-Pie for a while now and know he’s destined to great things and achievement in the art world.

> More pics at the bottom of this article

What is the show about?

“Lawrence Alkin Gallery are thrilled to present ‘The Golden Age of Grotesque’, the provocative and alluring UK debut solo show from Polish street artist Sepe. The brand new body of work explores current socio-political issues, demonstrating Sepe’s unique ability to cross the boundary between subjective and abstract depiction. ” Sam Rhodes, Director at Lawrence Alkin Gallery.

This is the artist’s first solo show in the UK presenting 19 brand new works prepared especially for the exhibition, most of them done in 2015.

There you have it. We unfortunately missed the opening night but to be honest, it is sometimes difficult to fully enjoy the art on display when galleries are overcrowded with people. Instead we visited the next day, only encountering one or two souls wandering the premises. This actually worked out very well as we could thoroughly enjoyed Sepe’s artworks.

As soon as you enter the Lawrence Alkin gallery, you cannot miss a rather imposing piece – “Follow the leader”

Follow the leader by SEPE | Art-Pie
Follow the leader by SEPE | Art-Pie

Details below of the “Follow the leader” piece

Follow the leader by SEPE | Art-PieFollow the leader by SEPE | Art-Pie

You can’t help but notice the illustrative feel that Sepe’s art transpires.

The artists himself agrees on it “My paintings are strongly rooted in illustration. This way of perception works the best when supported by some kind of story behind it.”

He adds “We managed to gather all humans’ knowledge into one place. Made it available to everyone, everywhere by creating a worldwide network and we use it mainly to share sweet photos of puppies. What is it then if not The Golden Age Of Grotesque…?”

What is the underlying story behind “The Age of grotesque”?

Like many artists featured on this site, Sepe’s background lies in graffiti. He has been an active member of the Warsaw (Poland) graffiti scene where he currently lives.

This exposure to the energy of the city and its streets has definitely opened the artist’s sensitivity and increased his social awareness. Indeed with this show, Sepe wanted to emphasise how the “world gets totally dominated by the vain celebrity culture, focused on creating fake images of itself just for the show and turning everything into pop mush for sale.”

"Hunters" by SEPE | Art-Pie
“Hunters” by SEPE | Art-Pie

SEPE’s work is centralised around you and me, around humans and perhaps it is about where we are heading to – Modern societies tend to alienate individuals;our only refuge is seemingly joining the crowd where acknowledgment matters most. We then share moments via social media, often with souls unknown to us, and yet somehow that makes us feel good, as though we somehow now belong.

Rhythm and energy

Another remarkable aspect of SEPE’s work is how well he captures life moments on the canvas: bold, energetic and rhytmic. Indeed, his way of applying fat brush strokes gives the viewer a sense of movement and that takes away the static notion of a still scene.

As we were wandering around the gallery, this in particular became more and more obvious as well as remarkable.

"Far from ok" by SEPE | Art-Pie
“Far from ok” by SEPE | Art-Pie

The artist’s vision of our current society is not that reassuring and the somewhat recurrent use of circus related elements – circus music, belly dancers, clowns on stilts, monkeys riding small bicycles and firework displays adds to it, making the whole thing very chaotic and scary.

How often are sad clowns used in movies to scare the sh*t ouf of you uh?

The show runs until the 4th July 2015. Find out more about The Golden Age of Grotesque show at Lawrence Alkin Gallery

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Look Damien Hirst, I bet you have not done that

Damien Hirst must be used to getting all sort of good and bad criticism by now and although he has got simultaneous show all over the world right now and therefore is regarded as a major player in modern art, I can’t help to think that his latest spots series does not deserve all the fuss currently going about it.

What best to describe how I feel that this street art piece “lazy”. No need to say more.

Photo by Laurence Billiet
Seen on Vandalog

LAZY

Joan Miro at Andipa gallery

Andipa Gallery is delighted to announce a selling exhibition of unique works and rare graphics by Joan Miro.

Taking place from 7 April to 7 May 2011 the show coincides with the first major London retrospective of Miro’s work for almost 50 years, The Ladder of Escape at the Tate Modern, and will offer a rare opportunity to acquire some of the finest original works by this master of 20th Century art.

The exhibition will show rare works on paper, including some of Miro’s 1965 Le Courtisan Grotesque series. Works described as displaying “the most genuine Miro, the one of the astral signs (and) symbolic objects… who uses his own mature language, without hesitations.” Daniel Giralt-Miracle (art critic and historian).

Miro’s most iconic and admired engravings, lithography and etchings will also be on display. Pieces will include the original lithograph Montroig 2, named after the Catalan village to which Miro felt a deep connection, returning to throughout his life, and which inspired some of his most seminal works. These highly sought after brightly coloured pieces make up an integral part of the artist’s oeuvre and demonstrate Miro’s expert use of carborundum to produce richly textural pieces that reflect the original qualities of painting.

Miro was among the most prominent of modern artists, developing a unique Surrealist language that expressed freedom and energy through its fantastical imagery, vibrant use of colour and free use of paint, often splattered across his canvases creating an explosive effect. The more political side to Miro’s work reflects the turbulent times of the Spanish Civil War and repression under the Franco regime. His works express and react to conflict, protest and political upheaval. In our current instable and uncertain times, perhaps this more restless and anxious aspect of Miro’s practice is at its most resonant.

Words from Andipa gallery

Central St Giles – urbanism at its best

I did not expect to walk through what, actually, turned out to be a truly enjoyable experience. I am talking here about the new urban development named Central Saint Giles, comfortably wedged between Bloomsbury and Soho in London.

I suspect the sunny weather that day helped here, but I was truly amazed by the imposing and colorful buildings that make up this very modern workplace, which includes office space, shops, restaurants, cafes, apartments and an outdoor public piazza. Bright green, yellow and orange are the colours used for the huge facades, which clearly make them stand out amidst the surrounding urban buildings.

While enjoying a walk on the spacious and bright piazza, I was happily surprised to encounter a couple of sculptures, one of which is by the artist Steven Gontarski; a five-meter-tall piece, adding another layer of colour to the landscape.

Urbanism like this can be beautiful, by either inspiring the architect (Renzo Piano) or being integrated into it.

http://www.centralsaintgiles.com/

Central Saint Giles

Ob 08 by Steven Gontarski
Central Saint GilesOb 08 by Steven G0ntarski

Central Saint Giles

WX Street Party: the rise of the non-conformists

Summer time and outdoors urban art exhibition sound like they are made for each other so you imagine my excitement when I heard about the Whitecross street party.

I am lucky enough to work quite near the area and had unfairly some might say went a few days earlier to get a sneak preview at the artworks which were starting to pop up everywhere on the walls of Whitecross street. The huge piece from Burning Candy had definitely open my appetite for more.

I turned up then early afternoon on Saturday and was happy to see that the street was fairly busy with heads going up and down the surrounding walls and fingers pointing at will. I was quick to join and enjoy Burning Candy, EElus or Best Ever pieces.

I was disappointed though by the lack of live events. I perhaps should have turned up earlier and could have attended the giant knitting event or was I expecting too much? Anyway, it was good to see some artists at it at least stenciling and spraying away.

Good day out overall and definitely some awesome pieces to go and see. The street exhibition runs until the 5th September.

Featured artists:
Best Ever | Burning Candy Crew | Carrie Reichardt | David Bray | Dead Leg | Dotmasters | Dr.D | Eelus | Filthy Luker | Gavin Turk | Giles Walker | Small | Mysterious Al | Mr.E.Dawe | Paul Insect | Peter Dunne | Ronnie Wood | Shepherd Fairey | Teddy Baden | Will Barras | Wreckage | Xenz

Related links
> WX street party website
> WX street party on Flickr

ART-PIE

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