I have always been sceptical about abstract art, never knowing whether I like it or not. I can enjoy it but can rarely get ecstatic about it. Well Remi Rough and the likes of Augutine Kofie or Jaybo Monk are maybe about to radically change this.
They are (and a few others – find out who here) are members of what is called the urban abstract movement which has for starting point the reshape of letters of the alphabet and their integration into an urban context – find out more here
A exhibition presents us with works from Remi Rough and Steve More but I will here focus on Rough’s stuff and what an amazing display I had in front of my eyes!
Rough’s mix of shapes and forms combined with an excellent choice of colors make his works come alive. The perspective he manages to bring to his compositions seems to give some sort of pace to the whole thing making it anything but boring.
I may be well on track to love this stuff and ask to see more of it.
The show is now over.
PS: You will excuse the so-so quality of the pictures below but I had to use my i-phone that day.
This work is the result of an exploration into the area of masculinity and social stereotypes. As a documentary photographic essay the work opens the doors to a lesser-seen area of society in an attempt to challenge pre-existing British stereotypes surrounding male identity and firearms.
Our aim is to aim is to survive focuses on Blackpool Pistol and Rifle Club: it’s physicality as a space, the people who use it and the inter-relationship between the two. These images are bound together through their formal presentation yet each image contains a strong individual presence in many cases confirming expectations but in others, interestingly confounding and challenging both the preconceived ideas attached to firearms and Shooting Clubs.
The Blackpool Pistol and Rifle club as been running since 1948 and is a typical example of what you would find in many shooting clubs throughout the United Kingdom. After a 1997 firearms amendment outlawed all but muzzle loading and single shot pistols, the membership to these clubs dwindled. As with many things within contemporary society the unfashionable quickly becomes lost and the
traditions of old soon turn to nostalgia. The walls of this club speak of a time gone; the faux wooden panels and the photographs proudly displayed offer an insight into “the good old days”. However they spoke as much about an acceptance of their fate as it offered a reminder into the past. The unfashionable has already become nostalgic whilst still in existence. To emphasize the idea of ever shifting social opinions I have offered a critique on the normative opinions associated masculinity and firearms by mixing the past and present contained within each frame.
Throughout the work the viewer is encouraged to draw off there own pre-existing opinions before eventually having these opinions subverted. By using masculinity as a focal point, symbolic links are drawn between the continually changing view of masculinity and the decline in popularity of those things that
do not fit within today’s society.”
““an acceptance that photography at the least can capture the present and the visible, he (Coekin) adds an understanding that what we know of the present what we know, and don’t know, of the past and the future”
David Campany on Chris Coekin’s piece Knock Three Times.
Let’s face it, 10 years ago that post would have not existed because ten years ago, street art, graffiti or urban art, let’s call it that, wasn’t around. I actually need to point out that it was around but not as popular as it is now. Now popular often leads to some sort of fame and wait fort it… money revenue, bucks, big bucks.
I must admit, I wad gobbed smacked when I learnt how much some street artists are actually worth. Kids, I am about to give a very good and valid argument to go up to your parents and defend your case about becoming a vandal or should we call it an ‘urban creative mind’
Here are the 5 money hoovers in the street artosphere…
5. Retna: $5 million +
Real name: Marquis Lewis –aka Retna
Age and residence: 33 year old, L.A (USA)
First show: 2010 that coincided with the New York Fashion week
Last auction fetch: ‘Young Blood’ for USD7500 (Source : http://www.findartinfo.com)
Latest gold mine collaboration: Louis Vuitton scarves series + mural creation on the storefront of the designer’s new location in the Design District of Miami.
4. Mr. Brainwash (or MBA): $10 million
Real name: Thierry Guetta –aka Mr Brainwash
Age and residence: 47 year old, L.A (USA)
First show: 2012 ‘Life is beautiful’. Banksy suggested to Thierry that he should do some graffiti work of his own. Gusto became his trademark and on overnight success followed. Profits exceeded over 1 million at his first show
Last auction fetch: ‘Tomato spray’ for USD6250 (Source : http://www.findartinfo.com)
3. Shepard Fairey: $15 million
Real name: Frank Shepard Fairey – aka Shepard Fairey
Age and residence: 44 year old, Charleston (USA)
First show: or rather what put him on the map – He put together ‘HOPE’ for President Barack Obama‘s campaign for presidency back in 2008. The red and blue poster is now an iconic symbol of the election. (Fairey’s Obama poster now hangs in the National Portrait Gallery in Washington, D.C.)
Latest auction fetch: ‘CHANGE’ for USD2500 (Source : http://www.findartinfo.com)
Latest gold mine enterprise: His ‘Obey’ Andre the Giant images, which became viral online and translated into a clothing line, including t-shirts sold at Urban Outfitters.
2. Banksy: $20 million
Real name: ?? Most of us will know who this guy is even thought and quite remarkably, this artist continues to work under the radar as a faceless enigma. – aka Banksy
Age and residence: 39 year old we think, Bristol most probably
First show: or rather first known large wall mural was “The Mild Mild West” painted in 1997 to cover advertising of a former solicitors’ office on Stokes Croft Avenue, Bristol. It depicts a teddybear lobbing a Molotov cocktail at three riot police.
Latest auction fetch: ‘GOLF SALE’ for USD6144 (Source : http://www.findartinfo.com)
Latest gold mine enterprise: Banksy has published a number of books on his projects and directed two movies, one of which – “Exit Through the Gift Shop” – was nominated for an Academy Award in 2011.
Mild Mild Mild West by Banksy
1. David Choe: $200 million
Real name: David Choe – aka David Choe – real, no bullshit stage name
Age and residence: 37 year old, L.A (USA)
Latest auction fetch: ‘JIMMI’ for USD200 (Source : http://www.findartinfo.com)
Latest gold mine enterprise: Since he was approached back in 2005 by a small social media start-up by the name of Facebook, his life had changed and the bucks started pilling up. The president at the time, Sean Parker, was a fan of the artist and commissioned him for a series of murals for their office headquarters. What Choe delivered was his blend of frenetic style of abstraction, urban landscapes and sexuality. While Parker indicated it took a bit of time to get used to the distraction of the walls, Choe was presented with two options of payment; cash, or stocks. He went for the latter and damn his high-risk venture has paid off…
Nicholas Serota’s recent comments that the government’s funding cuts will cause an ‘arts blitzkrieg’ have inspired Transition Gallery to stage ART BLITZ, a fundraising event which references and updates the confrontational politics and unique style of the 1980s.
The call to arms for ART BLITZ has been phenomenal with artists including Yinka Shonibare, Clunie Reid, David Blandy, Stella Vine, Phillip Allen, Sigrid Holmwood, Continue reading Art Blitz: live event and auction→
Since the day we first saw Jonathan’s work in 2008 we have been amazed at how much it has blossomed and how many people have responded positively to his distinct and developing style. Since then several shows at Signal and exhibitions in Los Angeles, San Francisco and Denver have confirmed his international appeal.
Jonathan has achieved that rare thing of combining socio-political subject matter, with a real sense of beauty and truth. Despite the evils in the world he depicts, you come away from a Darby piece feeling refreshed.
Jonathan’s second solo show ‘Favela’ at Signal will take him deeper into the areas of concern he has touched on so successfully before. Concentrating on the favelas (slums) in the big cities of Brazil, Jonathan became acutely aware of the overwhelming social problems facing these communities. The favelas have been abandoned by national and local government and have been taken over by drug dealers and their gangs. A culture of lawlessness and violence exists unchecked, creating a level of poverty that gives Brazil the dubious accolade of nurturing the biggest gap between rich and poor in the world.
Some of the most vulnerable victims of this sorry state of affairs are the countless number of street children orphaned or abandoned by their parents. Jonathan’s show focuses on them and their plight. The show will be supported by the charity CARF (Children At Risk Foundation) that was founded by Englishman Gregory J Smith. Giving up a lucrative business career Smith set up and ran a home for street children called The Hummingford Project in Sao Paolo. Also a passionate photographer he has brilliantly documented this entire experience. Many of Jonathan’s works for the show will use these photographs as source material, creating a direct link to the abandoned children of the favelas. Some of the proceeds of the show will donated to CARF.
Jonathan’s work for the show is moving away from the more obvious use of logos. Instead, he will be using a range of more subtle artistic means to achieve his artistic goals. He has also spent time collecting together wooden objects to paint on, so that many of the works will have a more organic feel to them than his works on canvas. His aim in the show will be to create a unique experience combining paintings with atmospheric installations. This will be Jonathan’s most ambitious body of work to date, exploring an important issue using a wide range of materials and techniques. The show should establish him as one of the most important young artists on the scene.
When: 11th – March – 2nd April 2011
Tuesday – Saturday 12 – 6pm Where: Signal Gallery | 32 Paul Street, London EC2A 4LB | 0207 613 1550 | mobile 07766 057 212
Codefc has just come back from Ibiza where he spent a few weeks (what?!). He obviously took the opportunity to leave his marks on a few surfaces and kindly sent us a few pictures of his work.
Another artist who is at the top of the stencils game but who wouldn’t after being at the vanguard of the French stencil art scene since the eighties.
Jef’s artworks are well executed, composed and elegant. In his second show, Jef is showing us the woman in all her sexiness and sensuality. Jef loves the female gender definitely and his pieces transpires that. Most of the artworks is made on extra thick wood panels and gives a feel of strength to the whole thing. Continue reading Jef Aerosol at Signal: girls, girls, girls and stencils→
Video installation by the creative Brooklyn duo Sweatshoppe. The principle is simple: a LED roller paints video onto a wall. The effect is guaranteed.
Thanks to the programming language called Max/MSP, Blake Shaw wrote a software that makes possible the projection of video visible when it comes in contact with the LED lights on the roller.
The video below is Sweatshoppe at it on top of Cordy House, Shoredith, London towards the end of last year.
One of the best thing of a work do is to find myself stumbling around the streets of Shoreditch quite to very late at night and snap away the many graffitis or street art pieces I may encounter.
If you are even luckier, you may find yourself alone and this is the best bit as you get some kick-ass photographs as those I included below.
This work is the result of an exploration into the area of masculinity and social stereotypes. As a documentary photographic essay the work opens the doors to a lesser-seen area of society in an attempt to challenge pre-existing British stereotypes surrounding male identity and firearms.
