Here is our second entry for the Noise Intercepted project, a global art project curated by Labspace Studio (a creative agency & art house in Toronto, Canada). Noise Intercepted is a series of ten experience-activated noise challenges that prompt participants to listen, observe and interact with their urban soundscape in new and unlikely ways.
Noise challenge #2: The little things
“This week spend some time paying attention to the little things… the sounds that you tend to ignore and the seemingly insignificant noises that you take for granted. You have 1 week to listen, identify and select one “insignificant” sound and transform it into something “significant.”
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Water is all around us but often forgotten, we may see it but not necessarily hear it or listen to it but yet it can take all sorts of sound shapes or noises.
Here are four of them, from the subtle to the fierce…
When Ole Kirk Christiansen came up with the idea of that brick we call LEGO, I can say with confidence that he was most probably miles away from thinking that one day, people all aver the world would use his brick, and in some cases, ton of them to create pieces of art.
There is even today some sort of art movement that has sprung. How about that?
One very recent example of the frenzy that surrounds LEGO and art can be this life-sized Star Wars X-Wing fighter that was made from 5,335,200 individual bricks. Yes you heard it, over 5 millions of brick were used. It was 11 feet tall, 43 feet long 44 feet wide, and weighed almost 46,000 pounds. This is, as of today the largest model ever built.
But while some art purists may argue that the Brick X Wing is not really art but more a clever engineering poroject, and we would tend to agree, some other artists we feel, have really taken the brick and turn into an art medium.
Nathan Sawaya is certainly one if these artists (we already published something about him) and has gained a recognisable art LEGO style with his Dali-esque statues that are intricate and perception-bending. We have included some of Nathan Sawaya’s works at the bottom of this post.
Other interesting artists are Katie Walker who builds mosaics, we have included one example below.
We have included photos of all the stuff we mentioned above.
[] Collaboration with Bustart on Love Drops and with Bustart & Zaira on Hurry Up Mother Fucker (HUMF) and Night Life in Amsterdam
LOVE DROPS
Hurry Up Mother Fucker
[] He painted ‘The Confused One’ at Whitecross Street Party
THE CONFUSED ONE
[] Donated David v Goliath on canvas to the Gaza Toy Event at Truman Brewery to help raise funds. (photos credits to Maya Schenk). Also painted Back to Life and we absolutely adore this one.
Pixel Pancho street art style stands out of the crowd and often includes robotic like characters. It was difficult to choose which pieces to show so anything Pixel Pancho sprays turns into wonders. We have included below a few examples of his works.
We bring you, somewhat in a belated way, Nuit Blanche or when Toronto was transformed for one night only by hundreds of artists. Stroll all night long and get amazed by the works on display. A big thank you to Paul Snell for sending in the pictures below and no we aren’t jealous that he was out there and not us!
Green Invaders, 2012 | Yves Caizergues – Lyon, France
Light Installation – more about this project
Vertical Constructions: Dancer #1 and #2, 2012 | Max Streicher – Toronto, Canada
Sculpture (left) – more about this project The Way Things Are, 2012 | Chris Hanson – Brooklyn, USA | Hendrika Sonnenberg – Brooklyn, USA
Sculptures – painted street lamps (right) – more about this project
Here below is a video of the event – A sneak peek of some of the projects that were on display across Toronto for one night only, during Scotiabank Nuit Blanche on Saturday, September 29, 2012.
Microsoft must have amazed quite a few of us with their latest innovation, I want to talke here about Kinect by like for all genius products, there is a sleepy hacker waiting to exploit and excel in using such products.
James George had the idea to modify the Kinect accessory and with the help of a HD SLR, he presents us with these amazing shots below taken across the NYC subway.
For the techies, James is using the depth image in a custom open framework application.
The Art Conference (TAC)is a two-day arts festival exploring the intersection and evolution of technology, art and culture, bringing together global visionaries and creating a platform to discuss, connect and engage with contemporary art from a fresh perspective. TAC is bringing together a programme of international keynote speakers from the worlds of technology, art and culture.
TAC is founded by contemporary art curator Tina Ziegler in partnership with The IWSC Group. Bermondsey’s The Ugly Duck, a three – storey 19th century warehouse, will be filled with film screenings, panel discussions, exhibitions and digital art installations.
What to expect at TAC
TAC #01 will debate and deconstruct change on the subjects of social engagement through street art and how technology can enrich our experience with art and culture. Our inaugural conference explores the evolution of street art with a curated weekend of keynote presentations, panel discussions and networking opportunities for those with an interest in the future of this global movement.
Art by MASER (click to enlarge)
• Explore the evolution of Street Art, via a program of keynote presentations debating the social, political and environmental change that the medium is creating in ever-more powerful ways.
• Learn about technology’s influence on Street Art in the creation of rapidly-expanding global communities and the emotional energy covering urban landscapes worldwide.
• Meet representatives from across the art world during regular breaks, while enjoying international cuisine and a drink at the bar.
• Have an early chance to invest in astonishing new art initiatives and artworks on exhibition during the event.
The settings
TAC #01 spans all three floors of Ugly Duck, a contrarily stunning 19th century warehouse located on Bermondsey’s Tanner Street.
The exhibition hall will be transformed into a maze of mini – solo exhibitions, virtual reality experiences and digital art installations from both local and international artists.
Ugly Duck, Bermondsey, London
Visitors will also be treated to food and drink from local chefs in the outdoor food court, while networking breakfasts and afternoon teas will be provided by Unity Kitc hen, a social enterprise that helps to create jobs and apprenticeships for people with disabilities.
Installations, illustrated, digital art and more
World renowned light artist and poet Robert Montgomery displays his much – loved light installations.
Colin McMaster shows a collection of original acrylic and hand – cut wood paintings while artist Jordan Seiler exhibits his Public Ad Campaign work where visitors can test how the artworks transform when viewed through an iPhone.
Art by Jordan Seiler
Jose Monte mayor presents Virtual Awakening, an immersive, life – after – death virtual reality experience.
Ziegler hopes that pairing the works of local creators along side internationally – acclaimed visionaries will allow the conference to evoke achievable aspiration in attendees. She comments
I have always wanted to encourage dialogue, critical reflection and interaction with arts and technology, striving to bring people together to connect with the arts and help break down the boundaries people often find when engaging with art.
15 international speakers
TAC will offer a series of curated, thoughtful and interconnecting presentations by representatives from the wider art world – curators, artis ts, collectors and art administrators. My aim is that TAC will allow the worlds of art and technology to meet and inspire each other.
The conference will present a curated selection of more than 15 international keynote speakers – see the TAC website for further details. Each of the speakers share their unique stories and experiences and offer practical insights in to the art and creative industries.
This new body of work was created following a research trip to the derelict Haludovo Palace Hotel on Kirk Island, a 1970s luxury resort designed by Modernist architect Boris Magas.
Brown depicts the dilapidated location in a series of large scale paintings that often reference formal tropes more commonly associated with Modernist abstraction.
Ross M Brown’s work channels the experience of architectural space through the medium and history of painting. Exploring subject matter found within abandoned Modernist architecture, the artist layers disparate approaches from the history of painting producing a palimpsest of diverging and converging painterly approaches.
Relating to the urban ruin as a hybrid space where divisions between past and present, architecture and nature, order and disorder have become blurred and indistinct, Brown employs a painting process which pits rigidly constructed perspective against the fluid materiality of poured, smeared and dripped paint.
WHAT –Concrete Myths by Ross M Brown WHERE – Lacey Contemporary gallery, 8 Clarendon Cross, London W11 4AP WHEN – 17th June (preview) till 4th July 2015
Ross M Brown’s work channels the experience of architectural space through the medium and history of painting. Exploring subject matter found within abandoned Modernist architecture, the artist layers disparate approaches from the history of painting producing a palimpsest of diverging and converging painterly approaches.