‘Buenos Aires calling’ at Pure Evil: fantastico!

Pure Evil London show | Art-Pie
Click to enlarge

The year: 2001, the place: Buenos Aires, Argentina, the event: a terrible economic crash.

The outcome and most probably the best one: the explosion of the street art scene. Artists as a reaction to what was happening started to paint the streets and for some of them in a rather large scale.

Buenos Aires Calling is the show Graffitimundo presented at Pure Evil with the aim of bringing a feel of this scene to London.

I got very excited when I heard about this show as I know how much Argentina and the whole Central and South America street art scenes have been buzzing in the recent years.

I walked into Pure Evil and saw those stencils on the wall and thought ‘hmmm another set of stencils, I have seen it all before’ but looking at them closer and especially those from the artist rundontwalk and I was actually liking what I was seeing.

Pure Evil London show | Art-Pie
By Rundontwalk | Click to enlarge

Rundontwalk uses an intricate graphic in his stencils (strangely reminding me of the back on those chairs I have got at home) which apart from being a certainly noticeable technique skill, gives another dimension to the works. The tiling sort of effect reminded me of Paul Normansell’s way of painting.

On of the pieces using this intricate technique is ‘Influenza’ representing a pig wearing a mask which the artist painted in reaction of the panic that followed the swine flu outbreak. Great effect with great colours.

Pure Evil London show | Art-Pie
Click to enlarge

I did appreciate the other stencils from other artists but really liked these tiny pieces of art full of colours on oddily shaped pieces of wood representing even querky characters or abstracts. I found a ressemblance with BASHER’S world of characters.

 

Stencil technique has been embraced by a very large number of artists these days like in Argentina and if the technique is pretty much the same worldwide, I felt that this collective of artists and more generally South and Central american artist really want to put accross a message and do not just do stencils where esthetic is what only matters but their meanings too.

Nothing wrong with wanting to put out there a cool looking Goldie type stencils but it is nice to know that some artists really try to engage their audience by trying to deliver a message to them.

This show really managed to transpire how much the Argentinian street art scene is vibrant and not ready to die just now, oh no.

Colours, colours, there are loads of them, shapes, representations are everywhere like street artist right now in Buenos Aires and surroundings. Feels good.

Click any picture to start the slideshow

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The show at Pure Evil is now over

Digital art: stop motion

Stop-motion (also known as stop-action or frame-by-frame) is an animation technique to make a physically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a continuous sequence. Clay figures are often used in stop-motion for their ease of repositioning. Stop-motion animation using clay is described as clay animation or clay-mation.

A few of the best ART-PIE have seen are below.

Hours and hours of work here for these two first examples. Top quality.

Warning: these two films contain some adult language in the subtitles, but if you can stand the occasional and brief “F” word, the pay off is huge.

Continue reading Digital art: stop motion

Video painting: showing the world in real time

What an exciting concept and so twenty-first century! Any web 2.0 person with a strong interest in art has to embrace this concept.

Not surprising that the idea blossomed in a philosopher mind – Hilary Lawson who is also a documentary film maker.

What is all about then?

‘escape the limitations of the traditional video narrative’
‘escape our cultural and perceptual closures, freeing the viewer to play in the openness of the image’

Wow, well said folks from the Open Gallery which now represents the Artscape project – the collective of artists founded by Mr Lawson in 2003

Immerse yourself into the piece you are looking at, just experience it, get out of it a simple feeling. Ditch the attempts to understand why, just enjoy the what is in front of your eyes.

Yes, video painting will set you free so check out that piece from Mr Lawson entitled Play in Three Acts

Check the open gallery website for more videos – www.opengallery.co.uk

For the techies, computer scientists developed in 2003 a technology (known as Laluna) which enabled video paintings to be stored and played in such a manner that their order did not repeat (but was also not random) getting thus rid of the constraint that limit the potential of video art.

I do not know for you guys but ART-PIE is now very impatient to go and check it out at the Open Gallery so watch this space!

ART-PIE

BEN OAKLEY GALLERY (aka the B.O.G)

Sweet Heart Otto Schade

Having been a fan of Ben Oakley’s art work for the last few years I was really excited to see the Ben Oakley Gallery open in Greenwich last year. Having spoken to Ben this week he has given me details of the upcoming show in January which looks to be another good mix of contemporary street art. Ben works with a range of artists involved in the emerging and established contemporary and street art culture as well as creating his own work and being involved in various art projects and curatorial events. As a lover of series my favourite work of Ben’s are his trademark fairies, bears and yeti’s.

Show Details:
In January 2012, Otto Schade brings his extraordinary artwork to the Ben Oakley Gallery in Greenwich. He will be exhibiting original unseen artwork and ltd edition prints from 21st January – 5th February.

Originally from Concepcion in Nothern Chile, Schade now lives in London, where he works as a University Lecturer in the field of Architecture. He balances his career with a passion for creating beautiful and detailed artworks, both in the studio and at street level.

Schade uses his ribbons to compose beautifully intricate images, often referencing popular culture. However, he also creates more thought-provoking works, that resonate with deep and symbolic meaning.

Schade has forged a reputation as one of London’s foremost street artists, with his instantly recognisable ribbon motif adorning many walls throughout London and beyond gaining admiration from Private collectors and Artists alike.

Otto Schade will be in attendance.

BEN OAKLEY GALLERY PRESENTS: ‘URBAN SCHADE’
PREVIEW EVENING: Friday 20th January 2012 7.00 – 9.30 pm
EXHIBITION DATES: Saturday 21st January – Sunday 5th February 2012

VISITOR INFORMATION.
BEN OAKLEY GALLERY
9 Turnpin Lane Greenwich London SE10 9JA
(top end of the indoor market.)
Opening Times: Thursdays –Sundays 11-6pm
Monday –Wednesday by appointment.

All media enquiries /invitations: please email Ben Oakley.
Telephone. 07976 692 751   www.benoakleygallery.com

DLR: Cutty Sark Greenwich  ( 2 minutes walk )
Overground Train:Greenwich Station ( 5 minutes walk )

Wonderful World, solo show by Gérard Rancinan

Gerard RancinanWhere: Londonewcastle Project Space
When: 7-24 June 2012

Thursday evening I managed to drop by the Londonewcastle space to see first hand the Rancinan show presented by The Future Tense. I  had known about the exhibition for some time and was really keen to visit. I was not disappointed.

Opening from The Future Tense

“Gérard Rancinan is one of the world’s leading contemporary fine art photographers. For the past 7 years, Rancinan, along with writer Caroline Gaudriault, have been developing the ‘Trilogy of the Moderns’ – a revolution in three acts. Pitched somewhere between comedy and tragedy, this vivid photographic tableau and accompanying texts paint a picture of a confused humanity, blindly groping in the darkness, obsessed with fame and guided only by an absolute desire for generalised happiness.”

Gerard Rancinan

Walking through the show I envisioned myself watching the film Donnie Darko and playing out scenes from which include the infamous bunny head. In addition the irony was that I was humming “Mad World” the corresponding score to the film. Batmanesq and cartoon imagery which although perhaps has been included within other contemporary art, I do not feel this is in any way reproduced. It feels new, yet old, fresh yet re-worn and very much engaging.

Gerard Rancinan

The narrative which accompanies the show, actually does not waffle or meander through meaningless meanings, it provides a commentary, which I find sits well with me. This is the first time for many months where the ideals which are being conveyed actually mean something to me. References to a society documenting its own history via social mediums are made and the act of me writing these very words endorse this. In addition the term ‘non places’ and ‘non people’ have been used which when used in conjunction with the virtual Twitter & Facebook world actually have a relevant description of contemporary society.

Gerard Rancinan

The works themselves are comparable to hyper realistic painting, coupled with well staged and well shot content arranged in such a way that just works. The sheer size of the works give an air of importance to them whilst drawing you in to the content. Another perfect fit to the show is that the final piece of work for the series was actually shot in real time at the exhibition using real people attending the show. This for me bridged the gap between aesthetic and interactive art in a way which I hope everyone can appreciate.

Ed Bartlett of The Future Tense said to me that “to fully appreciate the show you must come back” and he is right.The show runs until 24 June 2012. For more information visit: http://londonewcastle.com/arts-programme/events/2012-06-07/wonderful-world

STREET ART ENCOUNTERS