Learn how to paint mountains with oil paint Continue reading Tutorial: how to paint mountains with oil paint
Tutorial: how to paint mountains with oil paint
Animated 3D gifs by Nick Thomm
Last Thursday night, Nick Thomm’s latests solo exhibition, Tropic Glows, opened.
Thomm took over the entire two-story space, transforming the basement into a fully immersive screening room, in which he housed his intricate 3D video works, while upstairs played host to both the crowds and a combination of Thomm’s mixed media works on fluro Plexiglass, holographic skate decks and neon pieces.
We included below 3 animated GIF works by the artist. We like them very much. Do you?
Exhibition runs until November 18th @ Castle Fitzjohns Gallery. 98 Orchard St, Lower East Side, New York (Open 7 Days, 12PM-7PM).
David Lee at Graffik gallery- 'Vive La France’
Born in Doncaster in the fifties David Lee flew the nest at a young age to set up residence in London, which heralded a new phase in his life, as he discovered London’s burgeoning hippy scene. However, during his early thirties, his love affair with France began with the marriage of his French wife.
Inspired by modern French painters, particularly Cézanne, his exploration of the forthright nude and his radical brush strokes were the first step toward Impressionism.
Lee’s paintings are inspired not only from the South of France and Paris but from the era between the 1920’s and 50’s, which is a common theme in all of his work.
Lee readily adopted the cafe culture of our continental cousins where Paris seized him. Spending so much time in the City of Lights, enjoying such impassioned vibrancy, the cafes were the creative enclaves where his artistry was honed.
His work embodies a delightful image of French café culture. The distinction from Lee’s work is how he captures this hustle and bustle of Parisian cafés giving us canvases splashed with vivid colour, radiating gaiety and the joy of life.
A second love interest later developed and this new ménage-a-trois between London, Paris and the South of France was a source of nouveau inspiration. With a palette full of colour from the warm South, Lee has brought back from the azure shore paintings that palpitate with hot sunlight and dazzle with their audacious colour.
Exclusively for Graffik Gallery David Lee has also painted a series of French inspired pop-art portraits.
To celebrate Lee’s Anglo-French love affair the preview will feature a themed party, which includes feasting on French delicacies, a wine tasting and a mime artist.
‘Vive La France’ 26 April – 9 May 2012 – Daily 11am to 6pm
To RSVP to the Private View (26/4) please email art@graffikgallery.co.uk
More information about Dave Lee’s show
Bauhaus: Art as Life
Last week The Barbican Centre opened its doors to a major exhibition about the highly influential Bauhaus movement. The show explores the German art and design school that ran between 1919 and 1933 and made a profound impact on our contemporary world by uniting art, craft, design and technology. Bauhaus: Art as Life brings together over 400 works and highlights the scope of the Bauhaus vision. Throughout the exhibition are examples of architecture, paintings, film, sculpture, furniture, costume design, photography, children’s toys, typography and textiles from names including Paul Klee, Ludwig Mies van der Rohe, Josef Albers and Oskar Schlemmer. Nothing it seems was too ambitious or insignificant for the Bauhaus masters to tackle, from redesigning teapots and ashtrays, to creating vast housing estates and design manifestos that aimed to change the world they lived within.
Bauhaus: Art as Life is displayed in a loosely chronological order, starting with Walter Gropius founding the school in 1919 by merging of the Arts and Crafts school and the Academy of Fine Art, a radical move that incorporated the disciplines of art, craft and technology. Having lived through the horror of the First World War, this collective of artists and designers were keen to use their creativity to herald a brighter future and you get a sense of the optimistic, utopian force behind the work. However the Bauhaus was not just about high design for the greater good, the students and teachers were also having a good time behind the scenes. The Bauhaus group put on events that could have rivaled Warhol’s infamous art happenings. Gropius actively encouraged socialising between the masters and students and this took the form of spectacular themed parties with a Bauhaus band, elaborate costumes and performances. Included in the exhibition are photographs documenting this playful side of the movement and party invites.
By the mid 1920’s we see architecture, advertising and photography added to the curriculum and the school started to become commercially successful by partnering up with manufacturers. There was a focus on branding and a unified approach to typography and layout, as we can see in the ‘instruments of communication’ section. Pioneered by Laszlo Moholy-Nagy, the Bauhaus had started to produce its own promotional material to communicate with a larger audience and this bold style has since become highly influential to the world of graphics. Elsewhere in the exhibition we also see Gunta Stolzl become the first female master at the Bauhaus, raising the profile of the crafts with her beautiful woven wall hangings. Josef and Anni Albers take a graphic slant on textiles, with simple geometric shaped patterns created from cotton and silk. As many of the Bauhaus group were on the political left, they came under pressure from the Nazi government and following pressure from the Gestapo, decided to close their doors in 1933. However as the students and masters emigrated, the principles behind the Bauhaus movement spread internationally and became the driving force behind Modernism as we know it.
The Barbican is embracing the experimental spirit of the Bauhaus by hosting a diverse series of events and workshops relating to the exhibition. They have done a good job in making the links between the Bauhaus and its relevance on our everyday lives. The schedule includes guided walking tours around the Finsbury area looking at the Bauhaus influence on local housing estates and a tour of the City of London focussing on the relationship between the Bauhaus and commercial architecture. The Barbican will also host an experimental two-week ‘Art School Lab’ where a chosen group of artists will collaborate to create work that contributes towards social change. To be considered you must apply via the Barbican website.
If you are looking to take home a slice of Modernist design, head to the Barbican Gallery Shop where there is a great selection of iconic designs, in keeping with the Bauhaus philosophy that design should engage with production. These including geometric plates hand woven rugs, DIY Paul Klee puppet kits and an exclusive range of Bauhaus inspired jewellery from the BA students at Central Saint Martins.
Bauhaus: Art as Life . Barbican Art Gallery, London, 3 May – 12 May 2012. http://www.barbican.org.uk/
Review by Zoey Goto, freelance art and design writer and PR. www.zazzipr.com
More photos of the exhibition below
Cargo bar : cocktails and street art
Cargo used to host these nights where graffiti artists were throwing their best pieces while you could calmly sipping your fine cocktails before exploding in a ‘whoaaaa’ that piece over there is nice. Great times. Continue reading Cargo bar : cocktails and street art
Meet the little workers in Clerkenwell
Looking down as usual when I am on my way to the office, I must have heard them calling on me that day. I looked up that morning. One was proudly sat down on a wooden pillar while another little man and a woman had found refuge in small cavities of what looks like a very depraved wall. But they were all very glad, I spotted them as so many by-passers never do, they told me.
At first I loved them but was also eager to know what the hell these little characters were all about. After a what seemed to me a long chat, I did not know more than before I talked to them. What I knew for sure is that they were over the moon that someone took them out of their boredom by spotting them.
Slightly puzzled by this encounter, I was trying very hard to remember whether I had seen these guys elsewhere when right there in front me, was another little worker but this time amongst the display of some kitchen and bathroom furniture shop on Clerkenwell road. I was stunned and started to believe they were either following me or spreading all around.
I decided to step in the shop and find out once for all…
These little workers are actually part of an advertising campaign to increase awareness about the imminent opening of a new DOMUS shop on Great Sutton street. DOMUS is speacialising in tiles. Representatives have been around shops in Clerkenwell and gave away these little figurines to scatter around willing shopkeepers’ shop windows as well as right on the street nearby the new store.
Whatever this is, street art used in advertising, this is a genius idea and if the guys at DOMUS had in mind to get people to find out and talk about these guys, well they got it right. Look above, I mentioned three times their brand in this blog post and are about to insert a link about their new shop which is about to open. Clap, clap, clap.
Read more about the new DOMUS shop (might be of interest to you, huh?). Find out what they look like with photographs below.
JR, Seth and Cranio x Mighty Mo street art
Part of our 3 street art works series you should see today. JR, Seth and Cranio x Mighty Mo.
JR – located in Berlin
Seth – located in Paris
Cranio x Mighty Mo – located in London
The Problems of Language
Sarah Hervey has a note in her sketchbook, it reads, “Wittgenstein maintained every statement rested on unproven assumptions and illogical associations”.
With regard to language there are four problems outlined by Bertrand Russell in his 1922 introduction to Wittgenstein’s Tractatus Logico-Philosophicus:[1]
First is a problem of what actually occurs in our minds when we intend to mean something.
Second is the relationship between thoughts, words and sentences and what they refer to.
Third is a problem of constructing sentences to convey truth rather than falsehood – in a logical sense rather than in a factual sense of true and false.
Fourth, what relation must a fact have to another in order to be capable of being a symbol for it.
According to Russell’s essay, the fourth problem is what concerned Wittgenstein and it is at the heart of Sarah’s note to herself, which is positioned in relation to this image in her journal:
“In the language of everyday life it very often happens that the same word signifies in two different ways – and therefore belongs to two different symbols – or that two words, which signify in different ways, are apparently applied in the same way in a proposition [a statement]…[t]hus there easily arise the most fundamental confusions.”[2]
Ludwig Wittgenstein
The problem of clear communication is further complicated by psychology, the first of Russell’s four problems with language, and identity, the second. What does it mean to be vulnerable? We all know what it feels like and so we feel we can describe and understand it. But can we? David Minton a fellow exhibiting This ‘Me’ of Mine artist, asks Sarah if she thinks his male vulnerability is an attribute of feminine vulnerability, wondering “if the view of ‘masculine’ is dependent on the view of vulnerable as ‘feminine’?” It’s a compelling question.
Jane Boyer: Much of the vulnerability you are interested in and you explore is based in gender issues and ageing. Can you tell us what it is particularly about vulnerability, experienced through gender and age, which interests you?
Sarah Hervey: I think there has been a lot of research into why women live longer on the whole and have a resilience somehow, yet the way we are supposed to attract men is to be vulnerable, the weaker sex, so there’s all that dynamic which is interesting. Because I have this idea about skin and how your history shows on your face, so if you’ve had a life where you’ve felt vulnerable it will begin to show. As your body gets older you just appear more vulnerable because your skin gets thinner, your bones aren’t as strong, you find it more difficult to hold your head up straight and keep your back straight and so your body starts to cow. The different way men and women deal with that interests me; how we feel about that is the internal part of skin, then the way society looks at you is the external part. I mean, the essence of being female or male is different and I feel it is important to struggle to understand more precisely the positions of men and women within these boundaries. My point of view is as a woman. I can’t understand my own vulnerability and the vulnerability of women without understanding the vulnerability of men.
Read more of our interview, Without Any Voice. If you are enjoying reading about the issues involved with This ‘Me’ of Mine, follow the blog by clicking the ‘follow’ button under the heading Follow blog via Email at the bottom of each page and engage with us by leaving a comment, follow us on twitter @thismeofmine or like our facebook page, facebook/ThisMeofMine.
We recently announced our project venues; find out more about APT Gallery, Strange Cargo/Georges House Gallery and Colchester/Ipswich Museum on the blogsite.
Keep a weather-eye, an exciting announcement is coming soon regarding our sweet Art Pie…!
The creative bubble at Roxy
There you have it – the first edition of The Creative Bubble, a new monthly event down in South London just a stone throw away from the Thames.What are we looking at here? Three nights, once a month, The Creative Bubble will try to painti a new picture of contemporary art via a host of different mediums. And more importsntly, there will be a 30 day rolling gallery with original art and limited edition prints, curated by Incandescent Artists, is a showcase of a who’s who in the UK art scene.
The exhibition is complemented by 3 nights of award winning short films, slam poetry and music.
The first set of visual artists is set to be a cracker – Inkie – Parlee ERZ – Dan ‘DANK’ Kitchener – Gnasher -Eska -Rowan Newton – Otto Schade -spZero76 – KeMeF Inc – Suzko -Zina – Cherie Strong – Artista – Jack Candy Kemp – SLM – Hush – Amara Por Dios – Martyna Pikula – Lee Hadwin – Rosie Emerson – ROO – Skyhigh and Sam Gare. WHAT – THE CREATIVE BUBBLE WHERE – Roxy Bar & Screen, 128 – 132 Borough High Street, London SE1 1LB WHEN – Event dates: 15th -16th -17th April 2014 Exhibition Dates: 15th April – 14th May 2014
FREE ENTRY
Architecture by Filip Dujardin
Architecture is often looked over isn’t it? But when you come across architects such as the belgian artist and architectural photographer Filip Dujardin, you have to share a bit of love and make you aware of his works.
He just had a show at Highlight Gallery in San Francisco and we hear that the works focused on “fictional buildings that Dujardin has created using a digital collaging technique from photographs of real buildings around Ghent, Belgium.”
One will classify these as “absurd“, as the “René Magritte and Raoul Servais” of architecture.
What do you reckon?
First seen on Slamxhype