Loughran Gallery is treating us big time with Dave White new show “Sold out”, they are treating us not just because the show is a retrospective show which features some incredibly special exclusives from the artist but also because the venue, Lock Studios, is simply awesome.
We were treated with cocktails and canapes all night. We did manage to snap a few pics that you can see below.
“Sold Out”, Dave White new show at Lock Studios is now over.
The latest JR installation is strong and powerful. Meet Kikito, a Mexican baby boy.
The place: the US-Mexico border fence. Which way is the baby looking over? You would have guessed it – Kikito is looking over the border from the Mexican side.
This new installation,a huge scaffolding installation, tells us about the struggle of millions of Mexicans to cross the border and enter the US.
Kikito is depicted as happily playing while looking over the US side of the infamous border wall but neither him nor his family can see that, neither him nor his parents can cross the border – and this is the point of this artwork.
Each time I’ve seen walls that have caught my attention, or that I’ve heard about a lot in the media, they would stick in my mind. I would even dream about it. When Trump started to talk a lot about a wall along the Mexican border, one day I woke up and I saw a kid looking over the wall.
I was wondering, What is this kid thinking? What would any kid think? We know that a one-year-old doesn’t have a political vision, or any political point of view. He doesn’t see walls as we see them.
JR
If you are lucky to be in Southern California between now and the 2nd October, here is the exact location. We would strongly recommend to swing by to see that.
JR is a French artist who has been working on his “Inside Out” project for quite a few years. He travels the world in his photo-booth truck and snap portraits of people he meets along the way. Then, he pastes them onto buildings or walls – or on scaffoldings in this instance.
I’m very pleased to say
1) I have a new project in the works and
2) Art Pie is again media sponsor!
This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!
Here’s an example:
janeboyer
Submitted on 2014/05/16 at 1:03 pm
I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.
I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.
I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.
I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.
Ian Pickering
Submitted on 2014/05/16 at 4:50 pm
I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.
codedimages
Submitted on 2014/05/16 at 5:17 pm
I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.
I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.
Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.
Kay
Submitted on 2014/05/17 at 1:46 pm
A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.
I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.
The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.
I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.
I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.
——
We hope you’ll join us and join in the conversation…
Go to RECURSIVE
As well as putting together some top quality videos about his various art acts, Narcelio Grud is also get his medium out of complete hand made devices.
Check out the video to find out how to manufacture your own quirky spray cans.
Links to other work from Narcelio Grud:
Public sculpture sound
For a better hammock
Update – 22/06/2011
Latest dates – 25th June 2011 | 30th July 2011 | 27th August 2011 | 24th September 2011 | 29th October 2011 | 26th November 2011
On the last Saturday of every month Stour Space opens its doors for local produce, craft, design and creative entrepreneurship. Packed full of innovative designs the Designers Market is the perfect place to find fancy treats, snazzy gifts, eclectic music and belly warming delights.
What better way to celebrate the start of spring time than to take a trip along the canal, stroll through the beautiful Victoria park and take a visit to Stour Space Designers market for a unique shopping experience in the heart of the Olympic Borough”
2 years running, Stour Space Designers Market is a platform for creative independent makers / artists / enterprises to sell and promote their work
Related link
> Stour Space: www.stourspace.co.uk
This exhibition aims to show Chila Kumari Burman’s work from 2000 to the present. For more than twenty five years Chila has been creating powerful images of contemporary Asian Feminisms.
Born in Liverpool to a Hindu Punjabi family Chila’s art explores issues of class, gender, ethnicity, identity – but through the prism of defiance and love. Her work is informed by popular culture, Bollywood, fashion, found objects and a long-sustained examination of self-portraiture.
The exhibition will showcase a dazzling array of media: printmaking, collage, mixed media, photography, sculpture and painting. Through all of these media Chila’s aim remains steady: the provocative undermining of fixed categories.
A definite must-see show
What – MAJAJANI
When – Fri 3 April – Thu 30 April
Where – Rich Mix, 35 – 47 Bethnal green road, Shoreditch (Mezzanine + Lower Cafe Gallery)
Streetwise characters such as Peck’em Pigeon, Barkin’ Dog, Foxall Fox, Bushey Squirrel and Purr-ley Cat take centre stage in Stephenson’s solo exhibition, something they’re quite used to after being placed in permanent collections such as the Marriott Hotel in Westminster, where their furry faces adorn each and every room.
Following a visit from the whole gang at Jealous Print Studio, the characters have been re-imagined and reinvigorised into brand new screenprint editions, as well as original paintings and a host of other new, very small editions.
Simon Stephenson will also be giving away a very secret, special original to the first 10 purchasers of the new works.
So don’t miss it. Or we’ll send Peck’em Pigeon round.
Simon Stephenson is a London based artist and professional illustrator. He has worked as a creative in advertising for over 20 years. Simon’s work has been featured in the ‘Association of Illustrators Annual’ and used in many advertising campaigns including Telewest, Barclays Bank, Orange, NHS, Jigsaw among many others. His work has been used and featured in several books such as ‘The big book of illustration ideas.’Inspiration is sought for his artworks in London and its denizens, both
human and animal and his work finds a home in celebrity and permanent collections, such as TBC Suggs from Madness and Chancery Court, London.
How could I not share this 30 meter collaboration wall
Artists: DOES & NASH
Location: Sittard, the Netherlands
Date: June 2012
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A large number of people always get quite to very excited when a new Banksy work is discovered and we must admit, we were one of these this time round when we read this morning about this new work somewhere near Bristol… Keep reading on.
Bridge Farm Primary School in Bristol, where Banksy dropped his latest piece, organised a little while ago, a contest amongst the pupils in the aim to name houses at the school after famous people and Banksy was one of the names that came up the most and which was therefore chosen. The other names were Brunel, Blackbeard and Cabot.
Geoff Mason, the head teacher wrote to Banksy’s team before they broke up for the half-term to let him know they had named a house after him…
Children, staff and parents from the school in Whitchurch were surprised by the artwork this morning we hear as no one expected Banksy to produce some street art right in the courtyard!
The painting was done over the weekend, when Banksy was supposedly going to collect an award elsewhere namely the Sky Arts Awar.
Although Banksy rarely signs his work, a spokesman for him confirmed this morning it was indeed the elusive artist’s work. It is thought to be the first verified artwork from Banksy in a primary school.
Here is what Geoff Mason, headteacher at the school, said the school had received a letter from the artist himself.
“I think it went up over the weekend, and completed last night, but we’re not entirely sure.
“It was done after we ran a competition to change the house names, and we decided to name them after Bristol legends. We had to include Banksy.
We thought it would be a good idea to write to the PR company and let them know we’ve run the competition.
“I’m sure this is Banksy’s work. We had a call from his PR team, and a letter signed by him.”
The letter reads:
“Dear Bridge Farm School, thanks for your letter and naming a house after me.
“Please have a picture, and if you don’t like it, feel free to add stuff.
“I’m sure the teachers won’t mind. Remember, it’s always easier to get forgiveness than permission.
“Much love, Banksy.”
